SuperTrash is the mutagenic sequel to Trash: The Graphic Genius of Xploitation Movie Posters (2002, Chronicle), the book that became a prophecy of the lasting influence of grindhouse and a model describing the shared evolution between art and trash. Now, original Trash author and curator Jacques Boyreau returns to the gonzo archives of 20th-century design in pursuit of more bionic art-agony and trash-ecstasy. Serving together a mix of traditional movie signage and transgressive shout-outs, SuperTrash collages a trail of freakish delights and intellectual spin-kicks that track the co-dependencies of art and trash through sly, uncompromising essays about new wave hookers, bad gods, hermaphro chic, and, of course, Lee Marvin. Part psychedelic psychotronic, part poster poster book, part album cover book, part paperback pulp book: interdisciplinary, quantal, and polyglottal, SuperTrash is surrealism for the 21st century.